How does mog pay artists

MOG Radio, accessible through any of the platforms mentioned above, generates a continuous play queue based on the artist chosen by the user. By adjusting a slider within the MOG player pictured at right between Artist Only and Similar Artists , the user determines whether the radio plays only songs by the selected artist, or whether and how often songs by what the application determines to be "similar artists" are added to the queue.

When the user's song selection ends, MOG Radio begins to play and continues until the user makes another selection. Three different subscription plans are available as of February As of 7 June [update] new subscribers to MOG are allowed a free day trial of 'Premium'. The MOG Music Network is a music blog network that aggregates original content written by in-house editors and syndicated content from over 1, affiliate blogs.

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Something else that isn't being addressed just yet is playlist lock-in. It's even worse when I consider all the playlists my friends have made on services I'm not on that I therefore don't have access to. I've been trying to wean myself off Rdio this week in favor of Spotify's superior, hiccup-free playback, but losing the ambient recommendations of my peers most of which use Rdio is really troubling. I asked Drew if Rdio was looking into helping me move to Spotify, and he didn't seem very interested: "From a competitive standpoint, why would we do that?

MOG sees the need, but David says that all efforts at a single standard for playlists I'm not sure which efforts he's referring to, he admits that the streaming CEOs don't chat regularly have all failed in the past. He seems to be right. While my highly curated Rdio friends list can't follow me everywhere, it's hard to go anywhere on the internet these days without knowing what my general Facebooks friends list is listening to right now. While music streaming services aren't a "new" idea in internet years, they've really brought serious change to the industry in the past year or so.

Perhaps part of the problem with understanding that change is that it's different place to place, and artist to artist. Even the Black Keys admit that streaming services are great for discovering smaller artists, while larger artists like themselves don't necessarily need the exposure. Of course, while that dissension gets a lot of exposure, it's a minority view — in fact, a good number of the notable holdouts, like Metallica, Red Hot Chili Peppers, Gillian Welch, and the Black Keys themselves, are all represented by a single management company called Q Prime, who is rumored to have a dispute with labels over the streaming deals.

I reached out to Q Prime for comment, but didn't receive a response. A recent study by analyst group NPD, which came to the obvious conclusion that streaming services like Spotify discourage the purchase of music in other formats, prompted STHoldings to pull more than labels of music from streaming services — mostly in electronic music genres, in case you didn't notice the disappearance.

Meanwhile, Universal Music Group's Rob Wells, who is a client of NPD, says that cannibalization claims are " absolutely bogus ," and that each of the bands it's been tracking on Spotify over the last six months "has earned more money from its album being on Spotify than it has from being on any other services. While the debate still rages in the US, in countries like Spain and Sweden where piracy had totally destroyed commercial music distribution, streaming services have been an unqualified godsend — creating significant revenue where there was none.

Hopefully we'll eventually get more transparency about how these deals work. Widespread piracy has caused so much outcry from labels and artists, so it would be nice if widespread monetization could get some more vocal proponents from the same camp. In the meantime, the hope is that someday soon artists won't have to step out in faith when putting their music up on Rdio or Spotify or MOG, betting their paychecks on streaming services making them more money than iTunes and physical sales alone — it'll just be fact.

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Tablets Smartwatches Speakers Drones. Accessories Buying Guides How-tos Deals. New workplaces, new food sources, new medicine--even an entirely new economic system. In the beginning, music industry watchers hailed subscription streaming services such as Spotify , MOG, Rdio, and Rhapsody as saviors of the industry, an alternative for listeners and labels to the tyranny of the cent iTunes download.

Without question, Spotify and the others have given labels a scapegoat. But behind the finger pointing is a pile of monthly subscription revenues that the streaming companies such as Spotify, Rdio, and MOG share with those labels. I have no control over it. One artist may have a huge advance, while one may get different royalties.

Artists can—and do—receive very substantial revenues from Spotify, and as Spotify grows, these revenue streams will naturally continue to grow. All the labels split from that pie.